Thursday, October 22, 2020

KNOTS LANDING Episode 211 of 344: A FAIR RACE

 Episode Title: A Fair Race

 

Season 09, Episode 21

 

Episode 211 of 344

 

Written by Lynn Marie Latham

 

Directed by Lawrence Kasha

 

Original Airdate: Thursday, March 3rd, 1988

 

The Plot (Courtesy of TV.Com): Harold Dyer, who breaks arms for a living, takes Olivia out for a date. His uncle Manny tells him that Olivia is Abby's daughter. Olivia invites Harold and Manny to meet Abby. Manny tells Abby he rents yachts, and Abby introduces him to Karen, hoping to get his business for Lotus Point. Karen suspects Paige has a crush on Greg. Gary's tired of Lotus Point and decides to become a silent partner. Mack and Jill prosecute a little old woman for forgery. Jill dresses up in lingerie and cooks a romantic dinner, only to have Gary come home with Val and the twins. Gary thinks it’s hilarious. Later Jill's upset when she comes home to find a note from Gary that he's with the twins. Upset, she begins to drink. 

 

 

 

                Hello all my beautiful readers, and welcome back for another fun-filled disk of KL excitement.  Before I get started talking about this ep specifically, let me just say how much I enjoyed the overall experience of watching this disk, which spanned A Fair Race through With a Heavy Heart.  It’s been forever since MBG and I gathered together to watch, and this time Brother was able to come, so we had a trio of happiness and joy as we watched the melodrama onscreen.  Overall it was a lovely night and all three of us were very pleased with the contents of this block of eps, so let’s get started and dive right in.

 

                We last left off with the excellent Bouncing Babies, ending with Greg giving Meg over to the MacKenzies to raise and torching the playhouse he’d been building for her.  We kinda sorta open this week’s ep on Greg, although we technically start with Paige trying on different outfits, preparing to go out for the day and, presumably, meet Greg.  I’m sure I’ve said this before, but Paige’s beauty stuns me into silence.  I happen to think Paige’s little pink outfit that she’s wearing in this scene is super sexy and then I love the black jacket she puts on over it (but she makes the poor choice of switching over to a white jacket a little later).  I think, at this point in the saga, that Nicolette is consistently getting the best outfits and I wonder if she picked them out herself.  Paige has a fabulous style that is all her own and she’s always trying out new looks but they seem to always work. I’m also a big fan of her myriad of hats, although she doesn’t rock a hat for her little date with Greg.  Posted below is a random picture of Nicollette along with Michele and J.V.A.; this is not the outfit Paige is wearing in the episode, but it's just a cool photo we should all enjoy.

 


                Oh yeah, Greg; I already got myself distracted.  See, we start with Paige getting herself ready, but we also cross cut over to Greg at his house telling Carlos that he’s going out for the day or whatever, and then in the next scene he arrives at the MacKenzies to pick up Paige.  This is definitely a significant scene because as he pops in, he doesn’t even pay Meg a glance, instead saying he’s here to get Paige and then pretty much running off as soon as she arrives.  The scene ends with Karen and Mack exchanging a look and I’m sure they’re thinking that it’s weird for Greg to so blatantly ignore his own daughter, but I’m still in Greg’s corner on this issue.  As I said last ep, I think Karen was being a bit of a bitch by showing up at Greg’s place just to shit on the very notion of him being a father to Meg.  Give the man a fucking chance as he deals with the grief of losing his wife.  Now, Greg has made the decision to give Meg up and yet I get the sense that Karen and Mack are still passing judgment on him, now judging him for not paying Meg a glance in this scene.  I think it’s obvious that Greg is trying to make this a clean break and let Meg be raised by the MacKenzies, and maybe it’s just plain hard for him to look at her and know others are raising her, so let’s go easy on the man.  By the way, while we’re on the subject of Greg and Paige, I would like to note that MBG, usually eerily accurate in her predictions of what’s going to happen on the series, flatly declared, “I don’t see these two together.”  Well, she’s going to be proven wrong, and pretty soon, if I’m remembering correctly.  I’ll keep you all posted as we get further along and tell you how she feels when these two do eventually start shagging. 

 


                There’s a good, sweet scene early in the ep where Val shows up at the MacKenzies to offer her apologies to Karen and their friendship is strong again.  I liked this a lot because it ends some lingering tension we’ve been having the last few eps, ever since Val asked Karen to lie while giving her deposition.  I’ve said before how I like the fact that KL doesn’t draw stuff out forever when it doesn’t need to be, and this is a perfect example.  If it was another show, they’d probably want to draw this out, keep Karen and Val not speaking for a long time, maybe give them some big fights to have, but instead they make up and tell each other that they love each other and they move on.  I like all of that and I also like that they both say, “I love you” to each other, but it’s not like this big corny scene; it’s just a real expression of love between friends.  It’s a small sequence at the start of the ep that’s easy to gloss over, but I think it’s a good scene and worth noting.

 

                Also Karen-related this ep: She and Mack get into a little fight when he finds out about how she went over to Greg’s place just to squeeze out a hot wet fart in his face.  Thank God that Mack gets kinda mad about this, because if he found out what she did and was just totally cool with it, it would make them both kinda hard to like at this juncture.  I also appreciate how Karen tries to explain what happened and that she didn’t specifically go over there just to squeeze out the hot wet fart, but rather she went to say hi and the hot wet fart just sorta happened organically.  I still think it was a shitty thing for her to do, but I’m also perhaps being too harsh on her.  MBG was a little confused by Mack’s anger, saying how Mack loved having Meg around the house for that last bundle of eps, but I get where he’s coming from.  I honest to God can’t remember how all this stuff plays out, if Meg just stays with Karen and Mack for the rest of the series or if Greg takes her back at some point or what; I really don’t remember.  However, I’m sure Mack is worried about what complications this might cause, wondering what will happen if Greg randomly changes his mind at some point in the future.  Also, maybe Mack just liked having Meg around when it wasn’t a full time lifetime commitment; suddenly holding the responsibility of raising her for eighteen years might seem a bit more daunting.

 

                Similar to the way that I like Karen and Val making up rather than spending several eps pissy with each other, I also like how Karen and Mack don’t have some big explosive fight and stay mad forever, but instead enjoy a midafternoon shag together.  This scene was cute and all, although Mack spends most of it with his hairy left leg propped upwards in a way that had me convinced his balls would come tumbling out any second.  Also, I think the scene might be trying a bit too hard to be cute because they’re lying in bed and then they hear Barbara (that’s the nanny) returning from a trip to the park with Meg.  When they hear her voice, they’re like, “Oh no!” and it’s this whole comedic thing, but I thought it was kinda annoying.  Just put on your clothes and go downstairs and greet Barbara, and if she knows you’ve been shagging, who cares?  You’re a married couple and you’re allowed to have an afternoon delight.  I’ve just never been a person who understands the idea of being embarrassed by having sex; everybody needs to have sex or else they go crazy and it’s an important part of our being.  Isn’t it more embarrassing to be not having any sex?  But then of course I remember that we are Americans and we are supposed to be deeply ashamed of our sexual needs and desires.

 


                Let’s shift our attention on over to Olivia and Harold.  You’ll all remember that we met Harold for the first time somewhere in our last batch of eps.  Well, this ep he meets up with Olivia and the music swells, but I should probably mention a scene that happens before that.  We first see Harold this ep as he pays a visit, alongside his uncle Manny, to some guy named Frank (weird to have another Frank on the show at same time we have Frank Williams, but whatever) who owns an Italian restaurant.  We find out that Harold broke this Frank’s arm because he owes them a lot of money, and then we get a nice little bit of mafia smoothness when Harold is like, “I’m very sorry I over-exceeded my authority and broke your arm.  I should have given you a 24 hour notice; this is your 24 hour notice.”  With that, he walks away, cool as a cucumber, and MBG reiterated her claim that she’s made many times in my life that she loves mafia and thinks they’re the coolest.  I’ve always found this to be a very endearing trait about her, the fact that she’s the sweetest and kindest old lady anybody could ever know in their life, but she loves super violent things and is really into mafia movies.  Anyway, this first scene helps us to see that Harold and his uncle Manny are into some shady dealings, which should make our sphincters tense up when he meets Olivia and takes her out for pizza.  Personally, I’m not too concerned about Olivia; she’s a big girl and she’s gotten over her cocaine habit and I’m not terribly worried that Harold is going to hurt her; why would he?  I guess we should be nervous cuz he’s in the mafia, but I’m just not terribly concerned.  Oh yeah, one last thing I appreciate in this storyline so far is when Olivia is talking to Abs about how she should be able to date whoever she wants and she says, “I’m seventeen.”  I appreciate the fact that Olivia has always played her actual age.  Tonya is seventeen in real life at this point, so Olivia is seventeen on the show.  I think her age has always been consistent and she’s never suffered from SORAS and I really like that.

 


                What makes all this Harold/Olivia business so sordid is that it also intersects with Abs and involves her recently-ended relationship with Basil Exposition.  Don’t worry, Basil is gone from the show and will never be back and we never need to speak of him or think about that storyline ever again, but I do remember Harold and Manny being introduced through Basil, like they were working with him, something about expanding the marina at Lotus Point or whatever.  This ep ends with Abs meeting Manny and then boldly announcing to Karen, “I’d like you to meet Manny Vasquez; I think we can do business together.”  I don’t remember where any of this stuff leads, but I’m sure I will like it because I like it so far.

 

                Let’s move on over to Gary.  In this ep, he decides he’s tired of Lotus Point and he doesn’t wanna work there anymore.  He’s super excited about it and has some brilliant line of dialogue towards Karen and Abs where he says, “If you’ve got a problem, work it out, and if you’re stuck and still can’t come to an agreement, I still don’t wanna hear about it, so figure it out yourselves.”  He delivers the line perfectly and is of course hilarious and wonderful and I love it all.  His excitement at leaving Lotus Point leads to a fantastic sequence in which my much loved and much cherished J.B. decides to put on a sexy outfit and wait for Gary to come home for a romantic dinner and a shag.  The only problem?  While she’s adorned in her sexy nighty and waiting on the couch, Gary shows up with, you guessed it, twins Bobby and Betsy.  The scene works as comedy because of J.B.’s nighty and Gary’s jolly reaction, but it’s also doing some tremendous seed planting for future stories, especially since we see J.B. starting to drink a bit too much, obviously jealous and upset that Gary’s attention is so focused on the twins and barely at all on her.  I keep saying how this is all leading us to the season finale, but I’m kinda hesitant to say anything else in the chance that someone reading this hasn’t gotten to the finale yet.  I would be so ashamed of myself if I spoiled what’s in store in the closing hours of this season, so I think it’s best I tread lightly and not say too much right now.

 


                I think that oughta do it for this ep.  The only other things I have written in my notes are, “Sexy Michael jogging with Johnny = Yes,” and “I missed the Williams family.”  Both of my notes are obviously true, because Sexy Michael goes jogging in a fabulous pink shirt and white short shorts that are so short the balls threaten to come out (and oh how we all want that to happen) as well as a super sexy headband.  Ugh, fitness is sexy and when you combine fitness with Sexy Michael in this amazing outfit, you just have pure gold.  I again wish I could enter this show and live in this world and go jogging every day with Sexy Michael on a California beach.  As for my other note, I did really miss the Williams family in this ep, but I don’t hold it against this one because they’re gonna get a lot of focus in the next few eps.  I would have liked to see them this week, but it’s not the worst thing in the world that they sit this one out.  Aside from that, a very solid ep that kicked off this disk nicely.  I’ve got no complaints except for the nitpicky stuff like the overly cute scene between Karen and Mack.  I’m liking everything going on right now and I wanna keep watching to see what else is gonna happen.  With that said, our next ep is Full Disclosure and I think we should move right on over to start discussing that one. 

Thursday, October 8, 2020

KNOTS LANDING Episode 210 of 344: BOUNCING BABIES

 

Episode Title: Bouncing Babies

Season 09, Episode 20

Episode 210 of 344

Written by William Devane

Directed by Nicholas Sgarro

Original Airdate: Thursday, February 25th, 1988

The Plot (Courtesy of TV.Com): Paige tells Johnny that he's just for sex, and she won't go out with him. Abby loans Lotus Point the $2 million to build the marina. Olivia's really upset that Abby called off the wedding, and yells at her for stealing husbands and not keeping a man or giving her a normal life. The MacKenzies are very upset and miss Meg terribly when Greg brings her home. Greg builds a playhouse for Meg, but realizes how tough it will be to raise her. Upset, he brings Meg back to the MacKenzies and asks them to be Meg's parents. He wants them to tell Meg about Laura, but says he will stay out of their life. Seeing how upset Mack and Karen are without Meg, Val has a change of heart. She signs the paper saying Gary is the twins' father. She gives it to him and says she knows he loves them, and would want him to raise them if anything ever happened to her. He says she's a good mother and rips the paper up. They hug.

                Welcome to Bouncing Babies, an episode that I predict will be a highlight of season nine.  Now that we’ve evacuated the toxically boring Basil Exposition storyline out of the show, we can move our focus over to more interesting affairs and we’re also gonna get to do some serious exploring of the character of one Gregory Sumner.  It’s worth noting that Devane penned this ep himself, his second writing effort for the show after season eight’s very mediocre Survival of the Fittest.  Season eight seemed to cultivate badness around it, so I won’t blame him much for that episode being pretty forgettable, especially since this one is going to prove so much better.  As you can probably tell from reading that TV.com description, this ep is gonna heavily focus on Greg, so I suggest we begin by talking about the other characters first and saving Greg for last.



                Probably last on my list of currently compelling characters would be Paige and Johnny Rourke.  Now, please understand that I love Paige and the way Nicollette plays her and all her fabulous outfits, but I’m fairly indifferent to Johnny’s existence and he’s kinda sucking Paige into his material right now.  I guess some fans really hate Johnny, but I don’t hate; I just sorta don’t care.  Anyway, in this ep, he meets up with Leland Palmer in the happiest place on earth, the men’s locker room.  Johnny compliments Leland Palmer’s little ‘80s yuppie tennis outfit and says something about how he spends a lot of money on clothes just to chase rubber balls around and sweat, to which Leland Palmer says, “I don’t sweat.”  Obviously this line is meant to come and go and we’re supposed to not think about it much, but I obsessed over it forever and wondered what it’s supposed to mean.  Is Leland Palmer just trying to sound cool?  If so, he has failed, because why else do you go a health club and play tennis or racquetball or whatever unless you’re going to, you know, sweat?  If you do an entire workout and don’t sweat at all, have you really had a workout?  Isn’t that why they provide the showers for you to clean up after you’re done working out and sweating?  In any case, I guess the line is meant to sound cool, but I just thought it was weird and dumb, but I still love Leland Palmer and I note with sadness that this is the last time we’re going to see him on this series.  While he didn’t really do all that much except give Johnny money and kill a blonde chick, I enjoyed looking at him and his unique face and line delivery, mostly because Ray Wise is such a great actor who can make anything interesting, even the tiniest of characters.  Anyway, let’s all say goodbye to Leland Palmer.



                Aside from his rendezvous with Leland Palmer, Johnny also inserts his penis inside of Paige and then we later catch up with them in the morning.  Paige is getting dressed and complaining about her crumpled dress and getting ready for whatever her day entails (“Meeting a client” is all she says).  Then Johnny starts talking about how Paige only wants sex, not romance, not love, and Paige says affirmative, telling him, “I like to think of it as quality time, and when I do see you, I don’t want to waste any of it.”  Honestly, I don’t understand why Johnny is acting like such a girl here; what kind of a man turns down the opportunity for guaranteed no-strings-attached sex?  I would imagine straight men spend their lives trying to find that kind of arrangement, so why complain about it when you get it?  If I was able to plow Paige nightly, I would just be happy for the opportunity and I wouldn’t give a shit about having some deeper relationship with her.  I suppose Paige has some sort of magical sexual powers because she also turned Sexy Michael into a groveling twelve year old girl last season, something I hated to witness, and now here’s Johnny wanting some sort of deep, meaningful relationship with her. 



                Later, we get a quick scene between Paige and Greg where Greg is running off to the MacKenzies to pick up Meg.  It’s actually kinda a douche move, in my opinion, because Paige has gone through the effort of driving all the way out to Greg’s ranch (which, geographically, I’m having a hard time getting a handle on as far as its distance from Seaview Circle, but I get the feeling that it’s pretty far away) and when she arrives, he’s already speeding away in his own car.  When Paige says how she thought Greg wanted to see a sculpture, he just says another time.  Couldn’t he have called her?  Nothing pisses me off more than getting all prepared and going off to meet somebody only for them to ditch on you; it’s totally bad form.  However, I still enjoy the scene because of the sizzling chemistry between Nicolette and Devane, particularly when Greg gets wind of the fact that Paige never came home the night before and, when she tells him she was having a pajama party, he asks, “Who’s pajamas were you in?”  I’m gonna take a guess and say that this line was probably in the script, mostly because Devane wrote the script himself, but I also still wonder if he just improvised it on the set as they were filming.  Oh sigh, how I wish I could sit down with Devane to have a beer and discuss all ten glorious years of his time on the show.  How I would love to go through each and every line of dialogue with him and ask, “Was this improv?  Was this?  How about that?”  Bill, please, I know you’re out there, I know you’re reading this, please call me and we’ll set up a nice lunch date.

                The big drama of Gary and Val and the battle for parental rights continues and, I think, concludes in this ep.  We first catch up with Val and her lawyer, and real fast, I want to note that I was trying to figure out the actor who played this lawyer, but I couldn’t because I don’t remember the lawyer’s name (if they ever even say it) and I just sorta looked through the IMDb credits for this ep and tried to find a definite match but had no luck.  I have a feeling that this actor may have been in Freddy’s Dead: The Final Nightmare, playing the crazy teacher that Lisa Zane meets up with when they go to explore Springwood.  Am I way off on this?  What is this actor’s name?  In any case, I suppose that’s not as important as the contents of this scene, in which he sorta goes over the timeline of the babies with Val.  He asks if Gary raped her, and I really like Val’s reaction, which is like total horror, and the way she says, “What?”  I like the fact that rape is not this thing that happens on KL and then gets shuffled under the carpet like on, say, Dynasty.  I feel like on other nighttime soaps, they might have had Gary rape Val at some point and then they would have just sorta gotten over it and Gary could still be our lead male protagonist (again, look no further than Blake Carrington flat-out raping Krystle in early season one of Dynasty, and let's not even get into Adam raping Kirby and her proceeding to fall in love with and marry him), but KL is a better series that doesn’t use something awful like rape for such crass purposes.  I like that you can tell from Val’s reaction that Gary would never rape her or anybody.  Gary has his flaws but he would never do something like that, so it’s a small detail of the scene that I liked.  I also like how the lawyer asks her if she was married to another man when they conceived the babies and all that stuff.  Remember that this baby stuff has been going on since late 1983 and we are now in early 1988, so the writers are doing a good job of keeping us up to date and explaining how things went down without it feeling like a big exposition dump.  I also enjoy Val’s timid reaction to the questions; it’s like she’s kinda embarrassed to have to admit all this stuff to her lawyer.



                Anyway, the basic plan via Val’s lawyer who may or may not have been in Freddy's Dead: The Final Nightmare is that they will go to court, but the judge will probably dismiss the case.  However, things don’t quite work out that way, because after a bit of waiting, Val’s lawyer comes out and tells her the judge wants to keep reviewing some elements of the case; he didn’t just throw it out.  At this point, Val kinda freaks and starts screaming at Gary and J.B., telling Gary how he’s not going to win, that he doesn’t have a chance, and then she asks, “Did she put you up to this?”  I’d say this officially makes Val and J.B. into mortal enemies, something that will only grow and expand beautifully as we propel ourselves through the rest of season nine and then hit season ten.  I appreciated this scene because, even though there’s of course drama with Val yelling, it’s still done in that fabulous KL way in which it’s not too over-the-top.  Val screams and yells a little, but then Gary and J.B. leave and she sorta calms down and we move on to a new scene.  On the other nighttime soaps, I feel like Val would pick up a chair and throw it at J.B. and then they’d have some big cat fight right in the courtroom or something like that.  On KL, we get a little more subtlety.

                Another thing I love about this storyline is the way it concludes, which is also done in that most fabulously down-to-earth KL way.  On another show, this business with Gary and Val and the twins could lead into an entire year-long custody battle or something like that.  Instead, Val talks to Mack at the midway point of the ep, just after Greg has taken Meg back, and when she sees how sad Mack is to not be around Meg anymore, she realizes the cruelty of what she is doing to Gary.  Our next scene is her meeting up with Gary and, at around the 34 minute mark of the ep, something very significant happens.  Val gives Gary an official, notarized piece of paper and when he asks her what’s going on, she says, “The truth is that you are their father.”  Wow, this is big.  We viewers have known who the real father is and Val has known who the real father is and Gary has known who the real father is for some time, but this is the first time that Val has said it officially, out loud, and now there’s no going back from it.  This kinda concludes something that’s been going on all the way since 1983 with …And Never Brought to Mind, when Gary and Val shared their night of nonstop passion and conceived the babies.  Now here we are and Val is finally making it official; there shall be no more questioning about the true father of the twins, for we now confirm out loud that it is, in fact, Gary.  This scene is also very touching because Val tells him that, if anything ever happened to her, she would want Gary to raise the twins, saying, “I know you love them, and whatever differences we have, it’s just not fair to keep your children away from your love.”  I love that Val chooses to do the right thing without a lot of lengthy drama, and I love how she tells Gary the truth, and I love how she confesses that the twins love him and want to see him.  The whole thing is just mondo moving and almost brought tears to my eyes.  As I say over and over again, Gary and Val are the heart and soul of the series, and whenever the stories are really shining a spotlight hard on them, we get great material and I thought this whole storyline was great material.



                Let’s get to the main meat of this ep, which concerns Greg taking back daughter Meg from Karen and Mack.  Meg has been staying at the MacKenzie house for quite awhile now, a good long stretch of eps, although I can’t remember exactly how many.  At the start of this ep, Greg’s nanny (Barbara) tells him she is quitting, that there’s really no reason for her to hang around if Meg is never here.  When Greg says how she could go work at the MacKenzie house and he’ll keep paying her, she says, “I don’t want to be around when things blow up,” and then she elaborates by saying, “You can’t just keep bouncing Meg back from home to home; she’s going to be a very confused little girl if she doesn’t have a stable home life.”  At first, Greg is kinda dismissive of her opinion, being like, “Well, whatever, I grew up at the MacKenzie house and Mack’s mother raised me and I turned out alright,” and then he dismisses her for the night.  However, Barbara’s words clearly ring in his ears, because next up he calls Mack and says how he’d like to come over the next day and take her back home.  Next, we see Greg enjoying Cigar #34 while lying on his outdoor patio bed, looking at the stars and telling Carlos that Meg will be returning home tomorrow.  He also tells Carlos he’s going to sleep outside, something that sounds just lovely to me.  I think I want to live on Greg’s ranch more than any other current location we’re seeing on the series at this point.  While I think my heart will always belong to The Beach House from season four, Greg’s home is pretty boss, too, and I love the idea of having a bed outside that you can just sleep in when the weather is nice.  Another thing I appreciate about the scene is that we see Greg looking sadly at a photo of him and Laura and Meg.  It’s a lovely photo and my heart goes out to Greg, who had finally found the true love of his life and was just getting started with her and their new baby only for her to be taken from him so abruptly.  This might be a bit of an interruption from my train of thought, but I have to say that, so far, I have no problem with Laura’s character being killed off.  I think it was perhaps done a little too quickly in the opening hours of the season, but aside from that I think her death is bearing rich fruit now, great stories that can keep us going all the way until 1993.  I lamented Laura’s lack of material in season eight, how she was still part of the main cast but barely got anything to do, so I think I would honestly rather have her character be killed and lead us to great stories instead of just sorta hanging around and not getting any stories of her own, you know what I mean?



                Anyway, Greg shows up at the MacKenzie home to pick up Meg, and we get some immediate tension between him and Mack.  See, Meg is having her afternoon nap, but Greg is like, “Well, whatever, I’ll just wake her up,” and then Mack gives him a scolding about how you don’t just go around waking up a sleeping baby.  Greg says something about, “She’s my baby and I’ll do what I please.”  I like the acting from both Devane and The Dobsonator and I like how they’re both conveying their own different emotions.  Mack is obviously sad that he’ll have to give up Meg, who he has fallen in love with over the course of the last five eps or so, while Greg is looking at it more like she’s his damn kid and he’ll do what he wants; he doesn’t need Mack’s judgment.  Anyway, he does eventually take Meg home and then he gets to work building her a big epic playhouse.  The playhouse is cool enough, I suppose, although Greg tells Meg that he modeled it after Gone with the Wind and says, “You’ll be the only kid on the block with a playhouse like Scarlett O’Hara’s.”  Now would be a good time to take a radical detour and say that I kinda hate Gone with the Wind and think it’s a terrible, annoying, bloated, racist movie that sucks.  To be clear, I’ve only seen the  film once and I’ve been known to change my opinions when I rewatch things and find more to appreciate in them, but I don’t know that I’ll ever watch that movie again.  My distaste for this film also links well with My Beloved Grammy, the same Beloved Grammy I’m watching this series with, because I took her and a bunch of her friends to see Gone with the Wind in the theater a few years ago when they were screening it.  I had never seen it and had always been waiting for a theatrical screening since I’m a pretentious film douche and I think moves are meant to be seen on the big screen, especially really old epic ones like this.  Anyway, I think I started to turn on the movie almost immediately when we first got started with a scene of jolly whistling black slaves working in the plantations and I was like, “Uh oh, are we going to be spending this whole movie being asked to sympathize with a bunch of white plantation owners?”  The answer is yes, and Scarlett O’Hara has got to be one of the worst characters ever put onto film.  What an annoying, shrill, awful, disgusting human being, and why the fuck are we supposed to care about her romance with Clark Gable?  Plus the movie is four fucking hours long and has absolutely no reason to be that long, and of course it’s super racist and the character of Mammy is just…..no.  I wonder if my age and youthful beauty had anything to do with my hatred for this movie, because all of the 70+ year old white women I took to see it loved the shit out of it and didn’t think it was racist at all, but my research later showed that, yes, anyone with a brain in 1939 would be able to see this was racist the day it came out, but since white people have never exactly been the sharpest knives in the drawer, most of them probably didn’t realize it in 1939 and maybe don’t even realize it today, since white people are so insulated and unaware of other people with different skin colors.  Anyway, that’s the end of my rant about Gone with the Wind; take my word for it and never watch this film, because you could make the much better decision to spend four hours watching KL and you could probably squeeze five eps in and have a much better experience with much more interesting characters. 



                Later, Karen pays Greg a visit while he’s working on the playhouse and basically takes a big shit in his face.  Well, maybe I’m being unfair here, but I’m not quite sure.  Meg is Greg’s daughter and I personally believe that, if given the chance, Greg could shape up and be a great father.  The man just recently lost his wife and he needs some time to grieve for her, but I’m not sure that means he’s a totally lousy father who should give his baby away, but that’s kinda what Karen says.  I do appreciate that there are subtle things within this scene to show that, perhaps, Greg is just kinda inattentive with the baby.  See, he’s running a saw to cut some wood, and he says how he knows it’s kinda loud but that Meg shouldn’t be able to hear it from her bedroom on the other side of the house.  Then Karen asks if Meg is sleeping now and Greg says, “I don’t know,” and continues working on the playhouse.  It’s a small thing, but I think it shows that, while Mack would always know throughout all 24 hours of the day what Meg is up to, Greg isn’t as interested in things like that.  Anyway, Karen gets straight to the point and says how she thinks she and Mack should raise Meg.  Greg says, “You’re a very presumptuous lady,” and I think I agree with him.  Have I turned on Karen?  I don’t think I have; I still love Karen and find her an endlessly watchable and complicated character, but she’s definitely no longer my favorite character,  the way I declared way back in season one.  She can be annoying and she definitely has moments of a superiority complex and, you know what, I think this might be such a moment.  Aren’t you even gonna give Greg the chance to be a father before you shit all over the idea?  Greg has had Meg back for two seconds when Karen shows up and says how she’d be better off with the MacKenzies. 

                Now, the episode concludes with Greg giving Meg back to Karen and Mack, but I wonder if he would have even ever thought to do this if Karen hadn’t shown up and planted the idea in his head.  Right after Karen leaves, Barbara brings Meg down to see the playhouse and Greg is trying to get her all excited about this wonderful tribute to a boring and racist movie that he has built for Meg, but Meg seems to want nothing to do with it, crying instead of going into the playhouse to explore.  We’ve seen a scene like this before, back in TheGift of Life when Laura was driving away to go die and, just as soon as she handed Meg to Greg, Meg started to cry.  We see that again here and I think Greg notices it big time, because next up, he’s standing in Karen and Mack’s living room and giving a speech about how giving Meg to them will be the right thing.  It’s really a tremendous speech and some of Devane’s best acting, particularly how he says, “I’m nowhere near as bad as you all think, but I guess Laura was the only one who knew that.”  He says how Meg will be happier and safer growing up with the MacKenzies and then the really sad line comes when he says, “I’ll do this for Laura and for Meg; somewhere along the line, you might wanna tell her what a wonderful mother she had.  You won’t need to mention me.”  Then we cut to the final scene of the ep, which is him torching Meg’s playhouse.  This has always stuck with me as one of the most memorable episode endings; ever since I first saw the series, the image of Greg staring at the flames with his face in the background and the flames dancing in the foreground has always stayed in my brain.  It’s a very sad ending that could possibly make me cry, but I think I just wasn’t in the crying mood either time I watched this.  I felt moved, but no tears spilled.

                I really loved this ep, but are there any flaws?  The only possible flaw I can think of is that perhaps things move a little bit quickly in this ep.  Meg has been staying with Karen and Mack for a good long stretch of eps, but then we have Greg taking her back, spending a bit of time with her, and then returning her to Karen and Mack, all within the same ep.  I think we could have possibly stretched this out a little longer, maybe had a few eps of Greg trying to be a father and not being very good at it, but it’s all packed tightly inside of this one single ep.  However, it’s very well written and I think Devane shows a tremendous improvement from his last effort.  I’m always very interested in the blending of the actors and the characters, how the cast was allowed to have so much involvement in their stories and the way their characters would behave.  In this case, much like the brilliant eight scripts that The Plesh delivered to us throughout the first four years, Devane is being given the opportunity to write his own script to really explore his own character, a character he’s been playing for nearly five years now.  I feel other shows would just prefer to move their characters around like chess pieces and wouldn’t particularly care about how the actors feel, but on KL, the actors get to have some say in what their characters do, which I appreciate.

                This was the best ep on the disk and one of my faves of season nine so far.  Great script by Devane, some solid directing from veteran Nicholas Sgarro, and just a lot of interesting character moments.  Next up, we’ll start a new disk of excitement and joy with A Fair Race.